Damian Mac Con Uladh

Controversial Greek tourism video hit by plagiarism claims

In Greece on 10 November 2014 at 3:52 pm
Spot the difference? Stian Rekdal's footage (left) and the same scene in the Visit Greece video right (Screengrabs: Stian Rekdal)

Spot the difference? Stian Rekdal’s footage (left) and the same scene in the Visit Greece video right (Screengrab: Stian Rekdal)

The new official Visit Greece tourism video that was described on this blog last week as “hackneyed, corny and stodgy” includes copyright footage lifted from the work of at least two photographers without their permission.

One of the professionals, timelapse photographer Stian Rekdal, told this journalist that five clips from a 2012 video he made feature in Greek tourism agency EOT’s Gods, Myths, Heroes video, which had to be re-edited last week after a British newspaper passed on the news (without crediting this blog as a source) to EOT that it contained footage of the infamous 1936 Olympics held in Berlin under Hitler.

Originally from Norway but now living in Athens, Stian Rekdal produced the spectacular timelapse video, simply entitled Greece, after clocking up 2,500km in a 16-day road trip in 2012 during which he managed to take over 116,000 images.

The six-minute video has been watched by nearly 100,000 people since going on line over two years ago. It was so successful that shortly after posting it to video sharing site Vimeo, LG purchased some clips from it to demonstrate the quality of television screens worldwide. That contract ran for two years, Rekdal explains. “If you were looking to buy an LG television during that time, you probably saw my work on the screen in the shops,” he said.

One of the shots used in the Visit Greece video – a scene from Santorini – took Rekdal five hours to make. “That involved me minding a camera for three hours and another two hours of post-processing. You’re never guaranteed to get the image you want. Someone might stand in front of your camera for ten minutes and there’s nothing you can do, so you have to chose a setting where that can’t happen,” he explains.

Above: footage by Stian Rekdal. Below: how it appears in Visit Greece tourism video (Screengrabs: Damian Mac Con Uladh)

Above: footage by Stian Rekdal. Below: how it appears in Visit Greece tourism video (Screengrabs: Damian Mac Con Uladh)

Footage taken by Rekdal on the Cycladic island of Santorini and in Zagorochoria in the northwestern region of Epirus are among those used in the EOT video. Although Rekdal watermarked the original video with a copyright logo, this was removed in most of the clips used by Visit Greece. The copyright watermark is, however, visible in a clip from Ancient Olympia, onto which the tourism agency superimposed an image of Hercules.

Above: footage by Stian Rekdal. Below: how it appears in Visit Greece tourism video (Screengrabs: Damian Mac Con Uladh)

Above: footage by Stian Rekdal. Below: how it appears in Visit Greece tourism video (Screengrabs: Damian Mac Con Uladh)

Above: footage by Stian Rekdal. Below: how it appears in Visit Greece tourism video (Screengrabs: Damian Mac Con Uladh)

Above: footage by Stian Rekdal. Below: how it appears in Visit Greece tourism video (Screengrabs: Damian Mac Con Uladh)

Rekdal said he was alerted about the copyright infringement by an Australian colleague, Alex Cherney, who discovered that a timelapse sequence he took of the Twelve Apostles, a famous Australian landmark, was included in the Greek tourism video, again without his prior knowledge or permission. Cherney’s watermark was also not visible in the Visit Greece video.

Footage by Alex Cherney of the Twelve Apostles, an Australian landmark, was used in the EOT video without permission (Screengrabs)

Footage by Alex Cherney of the Twelve Apostles, an Australian landmark, was used in the EOT video without permission (Screengrabs)

Although the tourism agency credits other photographers for the use of their work, neither Rekdal or Cherney are acknowledged anywhere in the video. Rekdal also suspects that since emailing Visit Greece on Sunday for an explanation, a number of scenes were subsequently removed from its video.

Rekdal said EOT’s use of his material without permission is all the more surprising as it’s not the first time it’s happened. Last June, he spotted other intellectual property of his in another Visit Greece video and was duly compensated for it by the production company that made the advertisement.

An earlier version of Visit Greece's promotional spot contained these images from Stian Rekdal's video. They were subsequently removed (Screengrabs: Stian Rekdal)

An earlier version of Visit Greece’s promotional spot contained these images from Stian Rekdal’s video. They were subsequently removed (Screengrabs: Stian Rekdal)

Unless the tourism agency deals with the copyright infringement in a speedy manner, Rekdal fears he will have to request YouTube to remove the video by submitting a copyright takedown notice, known as a DMCA. “It’s a shame for it to happen like this. But if EOT continues to infringe on copyright, it risks losing its YouTube channel. You only have a certain number of strikes,” he says.

“Photography is my job. I licence things for a living. I can’t run a business if people just help themselves. While it’s hard for an organisation like EOT to know where all the material they use comes from, there seems to be a culture in Greek post-production to take what you want from the internet with no regard for who made it or created it. It’s a shame how people help themselves when they are paid to do a job. It’s plainly illegal and something has to change,” Rekdal remarked.

Despite numerous requests to EOT, no one was available to comment on the claims put forward by the photographers.

Update: At 9.20pm, I received the following message from EOT regarding the plagiarism claims:

Regarding your article concerning the commemorative video entitled GODS-MYTHS-HEROES, we would like to stress out the fact that:

EOT is never using footage without clearance. We collaborate with production companies that, according to their contract with the organisation, are responsible for every permission of use of the material.

As far as it concerns specific material created by Mr Stian Redkal, according to written confirmation of the video’s director, Mr Antonis Kioukas, the said footage is free of broadcasting rights for the purposes and uses that EOT has requested for (i.e. broadcasting on every digital media platform including tv, internet , social media, presentations etc.)

You may consider this message as the official GNTO position and announcement on the matter.

Above: footage by Stian Rekdal. Below: how it appears in Visit Greece tourism video (Screengrabs: Damian Mac Con Uladh)
Above: footage by Stian Rekdal. Below: how it appears in Visit Greece tourism video (Screengrabs: Damian Mac Con Uladh)

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  1. Reblogged this on europolitico and commented:
    Ο Ελληνικός Οργανισμός Τουρισμού (ΕΟΤ) υπέγραψε σύμβαση με την εταιρία-ανάδοχο κατόπιν προκήρυξης διαγωνισμού ή απευθείας αναθέσεως για την παράδοση έργου με βάση τις περιγραφές της προκήρυξης. Μετά την παράδοση του έργου βάσει του νόμου η Επιτροπή Παραλαβής του έργου όφειλε να ελέγξει το παραδοτέο έργο και ιδίως τη συμφωνία αυτού με την περιγραφή της προκήρυξης. Το αποτέλεσμα γεννά ερωτήματα για το ρόλο της Επιτροπής Παραλαβής Έργου.

  2. While doing research for an additional qualifications course in ESL – with a focus on Greek students since our immigration here is rising due to the economic crisis – I came across numerous examples of Greek students not having been taught how to do a proper essay with citations and bibliography. They thought nothing of “cut and paste” since they had not been taught any other way. Why are we surprised, then, that this exists at the governmental level?

  3. […] over de kwestie op het blog van Damian Mac Con Uladh, een Ierse journalist die in Griekenland woont en de Engelstalige versie van Eleftherotypia […]

  4. EOT’s response was “we have a release signed by the director, so we are covered.” Their response should have been “we accepted the assurances that we were given; we will investigate the claims and take down the offending material pending our investigation.”

  5. “As far as it concerns specific material created by Mr Stian Redkal, according to written confirmation of the video’s director, Mr Antonis Kioukas, the said footage is free of broadcasting rights for the purposes and uses that EOT has requested for (i.e. broadcasting on every digital media platform including tv, internet , social media, presentations etc.)” Right then, Time to contact Mr. Kioukas so that he can show us the contract.

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